ringo lam

my recent mike-inspired johnnie to festival has spurred me to make my way more methodically through the films of other major hong kong directors. and so full contact last night. the only other films by lam that i’ve seen are prison on fire and city on fire. i think i liked both of those–though all i remember of the prison one is a rare scene of the protagonist of a film taking a noisy dump. i was expecting to like full contact a lot (i’ve heard a lot about it) but ended up mostly unmoved. yes, it has a lot of great action scenes, and chow yun-fat is as magnetic as ever (bad haircut and all) but the action and violence are of an almost decadent variety. there is a more realistic and cynical edge to it than in most of woo, and there’s something to be said for that. but the film tries in the end to have it both ways–chow is apparently a more chivalrous thief/killer than simon yam’s villain–and it just doesn’t work. i think i prefer both woo’s over-the-top, operatic explorations of codes of masculinity and to’s more off-kilter explorations of genre. and the portrayal of women in this film, and of the queer psychopathic villain are really quite deplorable.

are there other films by lam that you would recommend? or is anyone interested in defending this one?

the leopard

i have never quite liked classic italian cinema — fellini, visconti, rossellini, de sica, you name ’em. i don’t think there’s a lot of people in italy who like them, but i may be generalizing what is the case in my family and the people of my region (italy is an extremely diverse country, to an extent that is probably hard for americans to comprehend). hollywood movies have always worked better in italy than italian movies. my mother, an educated woman, will simply not watch italian movies, however well done, inspiring, or american-like they are. she will barely watch any non-american movie, period. i suspect she may not be alone. Continue reading the leopard