9/30/2008

Helloween. Hello mean. Holy ream.

posted by reynolds @ 10:30 am

My semi-annual festival of horror films has begun. Aren’t you excited? Can’t you smell the garish red corn syrup? Hear the resounding echoes of the tortured shrieking? Envision the amputated limbs, wriggling as they hit the shag carpeting? ‘Tis the season!

I began the other evening with a Swedish vampire flick called Frostbitten, and as the title suggests, it relentlessly plays to the sort-of-funny, nerdy-teens-going-vampy, hip-slash-gory low-budget conventions of eight thousand Hollywood versions. Yet there’s something there, for the fan. (more…)

9/27/2008

Newman

posted by reynolds @ 9:31 am

In Nobody’s Fool, Newman’s character Sully seems at first a lovable type–smart-assed, generally good-spirited, prone to teasing and stiff-upper-lipping and too much drinking. But, throughout, Newman uses his eyes as props pointing to real anger, real anguish, real shame — the surface bluster revealing great storms at the character’s heart. It’s a great performance, greater yet for being so internal, so unshowy.

But I probably love any randomly-named fifteen of his performances at any given moment.

9/25/2008

The Fist Foot Way

posted by jeff @ 10:45 am

A few worthy moments but this inept homage to the Will Farrell canon ain’t that funny (though an alternative ending did make me giggle in completely inappropriate ways). Had this been a twelve minute video on www.funnyordie.com I might have been more appreciative. Still, not such a bad calling card for McBride.

9/22/2008

under the category “Huh??”

posted by michael @ 4:48 pm

http://www.firstshowing.net/2008/06/16/eva-mendes-joins-bad-lieutenant-herzog-says-its-not-a-remake/

9/19/2008

Traitor

posted by Chris @ 11:31 am

The story of Samir Horn (Don Cheadle), a man of Sudanese and American parentage, as he navigates the jihadi world. The audience is meant to be in suspense as to whether Samir is a traitor to the jihadis who befriend him, or the American handlers who believe he is inflitrating a terrorist cell.  And Cheadle tries, only somewhat successfully, to convey how conflicted he is. This movie does a lot of things right, the most important being to give a co-starring role Said Taghmaoui, who was so superb in a minor role in Three Kings, and is far and away the most intersting thing about this movie. It paints a fairly gritty picture of the environment that produces suicide bombers, and the underground networks that recruit and nurture them.  The movie also deserves some credit for trying to explain Samir’s motivation in terms of his commitment to, and interpretation of, the Koran. Thus it presents an alternative view of Islam, one that empahsizes non-violence. That said, the movie is dull and efforts to ramp up the tension are limited to making the soundtrack more instrusive. Cheadle is also diappointing, wearing a single dour expression the entire time. He can be so much fun when he flashes a smile and avoids the cockney accent he is weighted down with in the Ocean movies, but here he is largely a cipher, forced to utter a series of earnest but silly lines.

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