Night at the Museum 2

I saw this movie.

Night at the Museum 2 made me want to punish all the children in the theater. To sneak up behind each, and as they expressed some moment of pleasurable engagement with the film, just to scream “What the fuck is wrong with you!” into their ears so that they jumped, or cried, and forever after hated Ben Stiller. Or, rather, to punish all children, to stand outside of every theater in the country, and as children came out, to box each upon the ears. A hard box–a Dickens box, not one of those wussy tv ear-pats but a good Mr.-Gower-making-the-ears-bleed kind of smack. Or, if they looked particularly satisfied, to punch them. The happier they look, the bigger the smile, the more painful the body part targeted. Fuck you, children, for making this movie possible. And fuck you, parents, for actualizing this movie. There’s a reason children don’t have disposable income–they’d waste it on shit like this. So shame on you. You all get kicked hard, in soft tissue. Or maybe I just take one kid hostage, one poor hummel-eyed waif, and I set up a website, and I vow to make that kid watch Takashi Miike with me until gangs of children hunt down Shawn Levy, blood-crazed with fear for my webcammed hostage to rip Levy into unrecognizable bits that’ll never work with Steve Martin or any funny people ever again.

I’d punish myself but sitting through it was penance enough. Ah, shit, I probably deserve more.

Terminator Salvation

Set in 2018, the machines have taken over and they do battle with a fully-formed resistance that has access to submarines, aircraft and secret bases. Skynet is far less omnipotent in this iteration, largely restricted to particular zones, and its assorted machines surprisingly easy to kill. John Connor (Christian Bale) is a local commander at this point, about whom there are vague rumors among the populace that he is the prophet who will save them. He spends his time obsessively listening to old tapes left him by his mother, hoping to hear clues that will help beat Skynet, and inspiring the scattered resistance in scratchy radio broadcasts. Connor’s specific goal is to locate and protect Kyle Reese, now a teenager, but the man who was/will be his father, sent back in time to protect Sarah Connor in the first Terminator. The time paradox implications of him doing so, or failing to do so, are never made clear. Continue reading Terminator Salvation