Reduce, Reuse, Recycle

This post falls under the category of “the state of things.” I was thinking of posting a wise and lengthy denunciation of this trend in Hollywood of remaking horror films from the 70s (and importing more recent ones from Japan). But I’ve run dry of wisdom, and in order to make this post lengthy, I’ve decided to add a little twist to the plot. That is, rather than howl and fuss over a rash of (mostly subpar) remakes over the past several years (“Amityville Horror,” being the most recent), I wonder if it’d be more interesting for us to consider that Hollywood was in the business of recycling from the get-go. Even before there WAS a Hollywood, there was the remake. How many Frankensteins were there before Boris Karloff climbed into his elevator shoes? Okay one. But you get the point. Better: think of all the Hunchbacks, the Jekylls & Hydes and Phantoms of the Opera. In 1926, D.W. Griffith remade “The Sorrows of Satan”–just nine years after the original. There were three versions of “The Cat and the Canary” in fifteen years! But it’s not just horror films that get the rehash treatment. Edwin Porter’s smash hit “The Great Train Robbery” (1903) was remade the following year by some hack producer named Siegmund Leiben. “Stella Dallas,” directed by Henry King, was released in 1925. Twelve years later King Vidor gave us another one, this time with Babs Stanwyck and John Bowles (what a talent, that Bowles). Fast forward 50 years or so and yet another version, starring Bette Midler. Hitchcock remade one of his own films. It’s only a matter of time before another Star is Born. And who can forget Marty Feldman’s “The Last Remake of Beau Geste”? Strange that he was right. It WAS the last remake…

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