I won’t do backflips selling this one, but Shimit Amin’s 2004 cop/crime drama is a strong genre piece, with a damn good central performance by Nana Patekar. Patekar’s Inspector is part of a unit whose primary function is assassination; big-shot members of Mumbai’s underworld are singled out, then Sadhu and his men collar them and essentially goad the criminals into resistance, setting up the thinnest rationale for gunning them down. (And, sometimes, skipping the rationale.) Continue reading Ab Tak Chhappan