Here is a not-too-awful print of a rare short film by Sam Peckinpah: his adaptation of Katherine Anne Porter’s short story “Noon Wine.” It aired on ABC’s “Stage ’67” in 1966 and stars Jason Robards, Olivia de Havilland, Theodore Bikel, as well as a couple more Peckinpah stand-bys, Ben Johnson and L.Q. Jones. If you’re a Peckinpah fan, I’d love to hear your thoughts about the film, which Peckinpah made between the ill-fated Major Dundee and his triumph, The Wild Bunch. It so happens that Jerry Fielding (blacklisted in 1953 and did not return until 1961) did the music here, and there are some motifs in the score that will reappear in The Wild Bunch.
Robards is great–just the perfect role for him (he will play a similar character in The Ballad of Cable Hogue. Peckinpah manages to get a pretty good performance out of de Havilland (though I understand his methods were borderline sadistic). Bikel is just on the right side of not too over the top and, although only on screen for about a minute or so, L.Q. Jones is terrific. The swedish actor Per Oscarsson plays the escaped loony Olaf. An odd performance, perhaps not well-suited to a Peckinpah film.
I’ve never seen Peckinpah use so many dissolves and superimpositions. They’re there in The Wild Bunch, certainly, but nothing quite like this–but here he has to tell a long story (really a novella) in just under 50 minutes, so I guess they’re necessary.
Can’t seem to embed the video (Arnab?) so here’s a link.