So I had this operation yesterday. Operation’s a fancy word for it–in and out of the clinic in thirty minutes. But I had to lie around the house all day with ice on my scrotum, so I watched a movies.

Recommended, all:
“Songs from the Second Floor”–not really sure how to describe this, and the critics’ quotes on the box are terribly confused (”Short Cuts meets Night of the Living Dead” is one inept [and lousy] attempt). It’s an absurdist existential comedy of despair, by a Swede. The film is gloriously composed–each shot a fixed-cam tableau, the lighting and sky usually artificial. (In contrast to Sky Captain . . . actually I’ll put this in a comment there.) I laughed, I was intrigued, and my scrotum wasn’t hurting while I watched.

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watched this last night. the first 20 minutes are just dazzling. it captures the feel of a comic book much better than any movie in its genre, even if on a small’ish tv it probably doesn’t look as good as it did in the theaters. however, the story and so forth aren’t very much better than another recent installment in this genre, “the league of extraordinary gentlemen”, though this is wittier. giovanni ribisi, who i like a lot, does a serviceable supporting turn but the appeal of angelina jolie and gwyneth paltrow continues to baffle me. and is there nobody other than jolie who can play englishwomen in action films?

technical stuff: on the one hand we have something like “terminator 3″ in which computer generated monsters and machines interact with the world of humans; in this we have humans being digitized and inserted into a world of computer generated machines, animals and sets. both kinds cost many, many millions to make (i believe this was $70 million)–but neither is as much fun as “raiders of the lost ark”. i thought i had a point when i started that last sentence but i see it might resemble one of roger ebert’s so i’m just going to back away from it.

nikki noted in a comment on “shaun of the dead” that the fact that they got it off netflix while it remains on “very long wait” status for me must mean they’re better than me. possibly, but what it definitely means is that you don’t rent very many dvd’s from netflix in a month. if you rent too many movies from netflix you will run into service issues. i’ve noticed of late that more movies i want remain longer on “very long wait” or “long wait” status. and very often movies get shipped the day after they receive the previous movie from me, even though my top choices are “available now”. i wrote to netflix customer service about this and this is their response (the more annoying bits are in bold):

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Arnab mentioned this film in one of his most recent comments. I saw it recently, and it’s terrific. I especailly like the pilgrimage scene. It made me want to write a letter to Jesus. I think I’m the only one in this group who has not seen “The Motorcycle Diaries,” but I want to see it now more than ever. By the way, does everyone know that Salles studied film at USC?

“Troy”. This snuck into my house, disguised as a film by Wolfgang Peterson with Brian Cox and Peter O’Toole in it. I lasted a few minutes longer than I did when I tried to watch “Braveheart.”

If “snuck” is the past tense of “sneak,” do I actually “feak” in the present tense?

TV shows: “Firefly” finally made me understand why people are impressed with Joss Whedon. And tonight I’ve been rewatching episodes of “The Upright Citizens Brigade,” which made me want to shove pennies up my ass. Again.

“In Good Company” was a fine exemplum of the contradictory embodiment of ideology in popular film. Even as they satirize “synergy,” the characters drink absurdly large cans of Diet Pepsi; the critique of globalization and the conglomeration of industry stems from a nostalgia for the good old days when old white guys shook hands in back rooms. And Topher Grace is a hottie. He reminds me of John Bruns, if John were taller and more anorexic.